essay – Artistic Apathy

Warning: *spoilers ahead*

The film Menace II Society takes place in the city of Watts during the 1990s. The riots are over, drugs have made their way into neighborhoods and now gangs and violence wreak havoc in the streets. It’s the perfect portrayal of the American nightmare. A haunting tale about the cycles of poverty and violence that grip neighborhoods all across America. This movie is still relevant today, covering major issues in the urban black community which are explored throughout.

The opening scene gets right to the nitty gritty when O-Dog and Caine walk into a store hoping to buy beer and end up involved in a crime scene.

Such seems to be the life of poor Caine who from a young age saw death and corruption around him. His father was a drug dealer and his mother was a drug addict. Needless to say they didn’t play a very active role in his life. He’s sent to live with his religious grandparents, who just can’t seem to get through to him. His grandfather even asking him if he cares whether he lives or dies. Caine is deep in the streets. Has been ever since he came out on that stoop when he was young and got initiated by Pernell.

Pernell brought him up on the G code but was absent in his life when he got sent to prison.

Caine manages to graduate high school. An extraordinary feat for someone like him. Everything seems rosy for a while but as others would be knee deep in books, Caine is getting knee deep in the streets. He gets involved in a cycle of hatred and violence so hopeless and never ending. Violence being a common theme in the movie portrayed in a gruesome, raw, and unfiltered way. Caine and his comrades are desensitized to violence. As a result they have no problem taking a life or parading around a stolen tape of a murder they were involved in.

I just knew I could kill somebody. If I had to I could do it again. – Caine

This is the environment that Caine is growing up in. After going to a house party, him and his cousin have an altercation that lands him in the hospital and his cousin dead. Caine is lucky to be alive. This isn’t the first time he ends up in the hospital either. The difference this time is that he came close to dying. You would think Caine would turn over a new leaf after coming so close to death. Still, he can be seen watching old gangster movies in the hospital room. One of many foreshadowings in the film.

Another one being when later in the movie, the son of Caine’s love interest, Anthony, asks if Caine is going to die.

Caine even ends up in jail albeit for a short period of time. This still isn’t enough to set him on the straight and narrow. They bring him in for questioning. In the interrogation room we can see two types of light coming through the windows. On one side there’s red. Which could easily signify peril, doom, fatality and on the other, a brighter more lighter shade. Caine is at a crossroads for most of his life.

There are many voices of reason throughout the movie. Sharif, one of his closest buddies is a converted muslim and very pro-black. He doesn’t want Caine to go down the wrong path. And although he’s different from Caine and the rest of them, he’s kept throughout the movie. Caine even narrates as someone who sounds like they are reflecting on their choices. There are subliminal messages throughout the movie as well.

Another voice of reason is Ronnie or Pernell’s girlfriend. Ronnie sobered up after having Anthony. The connection between Caine and Ronnie is more than Pernell however. There’s love interest brewing here too. Caine gets even more-so attached via her son Anthony who is exactly like him when he was younger. Anthony is meant to symbolize Caine in a lot of ways. We even see things come full circle when Anthony comes out on the porch to hang with the grown folks much like Caine when he was younger.

No father, growing up in the hood without a role model. In the movie Caine is being asked to step up and be a man, if not for Anthony then for himself.

This movie’s core theme seems to be cycles in the urban communities. Caine is just being the way he was brought up to be and Anthony is mirroring what’s in the environment around him. There’s a certain street code you follow and that often leads to more violence. Caine is provided with an out on various occasions. Eventually he accepts to go away with Ronnie to Atlanta although reluctantly only to end up another victim. In a tragic irony, he does leave the life but not in the way we had hoped. Sharif is shot dead as well as Caine. Leaving O-Dog to grapple with the reality and possibly continue the cycle of violence.

The theme comes full circle with this quote as Caine narrates:

I guess in the end it catches up to you. My grandfather asked me one time if I care whether I live or die. Yeah I do and now it’s too late.

The final words at the end convict the viewer and cause them to reflect on all the past events that led to this young man’s fatal demise. It seemed like he was doomed to repeat his mistakes or suffer the consequences for his actions from the very beginning.

[SPOILER ALERT]

It all started when a friend of mine posted a waltz by Dmitri Shostakovich. I thought it sounded oddly familiar. It reminded me of this track from Oldboy (2003).

I knew that Oldboy used a lot of waltz music for their original soundtrack but it never quite occurred to me why. To understand, we’ll need a little bit more context.

For starters, Oldboy is adapted from a manga for the big screen but it’s also adapted from a greek tragedy called Oedipus Rex. In the story, a king causes a chain of events in the past that regrettably ends up with him fulfilling a prophecy of murdering his father and sleeping with his mother.

We can see direct parallels from this to Oldboy’s story. Oh Dae-su sees Woo-Jin enacting incest with his own sister and that causes a spiraling of events. A cause and effect that was indicative of greek tragedies at the time. Because Oh Dae-su saw them, Woo-Jin’s sister committed suicide. Because of this suicide, Woo-Jin seeks revenge on Oh Dae-su which leads to him being imprisoned for 15 years.

Oh Dae-su is unaware of his captors and in the beginning racks his brain as to who may have imprisoned him and who seeks to do him harm. Woo-Jin warps Oh Dae-su’s mind and when he is released, be it no accident, he searches high and low for his family but he can’t find them. By no accident he meets Mi-Do, who happens to be none other than his daughter (unbeknownst to him). He ends up falling in love and sleeping with her, fulfilling an elaborate plan or a “prophecy” concocted by Woo-Jin.

This is where the part about the waltz comes in. The waltz is a form of traditional classical music that traditionally was meant to be danced to. Later other forms would be birthed but waltz literally means “to turn” in German. Back to the subject of the greek tragedy, it’s almost like Oh Dae-su is dancing with fate. Fate being a common theme in Greek plays.

Waltz music was big during the romantic era and was primarily a couples dance. It was a forbidden dance in the 1800s and was only danced by the few, the bold and the brave in the beginning.

The dance Oh Dae-su is dancing with Mi-Do, his daughter, is incest. Therefore it’s a forbidden dance much like the waltz was in its early days.

Greek tragedies have another theme of “show, don’t tell” and other good directors know this rule is crucial for any good drama. In Oldboy, this is employed a lot.

Mi-Do embracing Oh Dae-su in the ending for Oldboy (2003)

Some scenes in Oldboy are reminiscent of programme music (a form of classical music popular in the romantic era) in the sense that a lot of scenes are carried simply by the music. Programme music was a derivative of classical music where the pieces told of a story or an event. The emotion of the music and the grandiosity of it all was the dialogue. No script needed!

At the end of Oldboy, Oh Dae-su has cut off his own tongue as repentance. He is the only one who knows the secret and has tried a myriad of hypnosis treatments to forget what he has done. Not much is said in this scene and it’s the perfect example of how to do drama right. In the end, nothing is said besides “I love you” as they embrace each other and the track “The Last Waltz” plays tying the whole theme together.

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Oldboy: Viennese Waltz and the Greek Tragedy