journalism – Artistic Apathy

A Commentary On Menace II Society (1993)

Warning: *spoilers ahead*

The film Menace II Society takes place in the city of Watts during the 1990s. The riots are over, drugs have made their way into neighborhoods and now gangs and violence wreak havoc in the streets. It’s the perfect portrayal of the American nightmare. A haunting tale about the cycles of poverty and violence that grip neighborhoods all across America. This movie is still relevant today, covering major issues in the urban black community which are explored throughout.

The opening scene gets right to the nitty gritty when O-Dog and Caine walk into a store hoping to buy beer and end up involved in a crime scene.

Such seems to be the life of poor Caine who from a young age saw death and corruption around him. His father was a drug dealer and his mother was a drug addict. Needless to say they didn’t play a very active role in his life. He’s sent to live with his religious grandparents, who just can’t seem to get through to him. His grandfather even asking him if he cares whether he lives or dies. Caine is deep in the streets. Has been ever since he came out on that stoop when he was young and got initiated by Pernell.

Pernell brought him up on the G code but was absent in his life when he got sent to prison.

Caine manages to graduate high school. An extraordinary feat for someone like him. Everything seems rosy for a while but as others would be knee deep in books, Caine is getting knee deep in the streets. He gets involved in a cycle of hatred and violence so hopeless and never ending. Violence being a common theme in the movie portrayed in a gruesome, raw, and unfiltered way. Caine and his comrades are desensitized to violence. As a result they have no problem taking a life or parading around a stolen tape of a murder they were involved in.

I just knew I could kill somebody. If I had to I could do it again. – Caine

This is the environment that Caine is growing up in. After going to a house party, him and his cousin have an altercation that lands him in the hospital and his cousin dead. Caine is lucky to be alive. This isn’t the first time he ends up in the hospital either. The difference this time is that he came close to dying. You would think Caine would turn over a new leaf after coming so close to death. Still, he can be seen watching old gangster movies in the hospital room. One of many foreshadowings in the film.

Another one being when later in the movie, the son of Caine’s love interest, Anthony, asks if Caine is going to die.

Caine even ends up in jail albeit for a short period of time. This still isn’t enough to set him on the straight and narrow. They bring him in for questioning. In the interrogation room we can see two types of light coming through the windows. On one side there’s red. Which could easily signify peril, doom, fatality and on the other, a brighter more lighter shade. Caine is at a crossroads for most of his life.

There are many voices of reason throughout the movie. Sharif, one of his closest buddies is a converted muslim and very pro-black. He doesn’t want Caine to go down the wrong path. And although he’s different from Caine and the rest of them, he’s kept throughout the movie. Caine even narrates as someone who sounds like they are reflecting on their choices. There are subliminal messages throughout the movie as well.

Another voice of reason is Ronnie or Pernell’s girlfriend. Ronnie sobered up after having Anthony. The connection between Caine and Ronnie is more than Pernell however. There’s love interest brewing here too. Caine gets even more-so attached via her son Anthony who is exactly like him when he was younger. Anthony is meant to symbolize Caine in a lot of ways. We even see things come full circle when Anthony comes out on the porch to hang with the grown folks much like Caine when he was younger.

No father, growing up in the hood without a role model. In the movie Caine is being asked to step up and be a man, if not for Anthony then for himself.

This movie’s core theme seems to be cycles in the urban communities. Caine is just being the way he was brought up to be and Anthony is mirroring what’s in the environment around him. There’s a certain street code you follow and that often leads to more violence. Caine is provided with an out on various occasions. Eventually he accepts to go away with Ronnie to Atlanta although reluctantly only to end up another victim. In a tragic irony, he does leave the life but not in the way we had hoped. Sharif is shot dead as well as Caine. Leaving O-Dog to grapple with the reality and possibly continue the cycle of violence.

The theme comes full circle with this quote as Caine narrates:

I guess in the end it catches up to you. My grandfather asked me one time if I care whether I live or die. Yeah I do and now it’s too late.

The final words at the end convict the viewer and cause them to reflect on all the past events that led to this young man’s fatal demise. It seemed like he was doomed to repeat his mistakes or suffer the consequences for his actions from the very beginning.

The Authenticity of Lady Bird

Warning : spoilers will abound

Last night I sat down and watched Ladybird for the first time. And I might say I’m impressed. Being a sucker for nostalgia that I am this movie was strangely a time pod back to the past, taking us all the way to the year 2002. A year I barely remember as I must have been six years old but still strangely familiar. I’m talking indie rock bands, passing notes in class, failed exams, oh, and trying to be popular!

Yes Ladybird has it all and it follows an adolescent schoolgirl named Christine who goes by the name Ladybird. A name she’s given herself to identify herself. A way of creating her stamp on the world. No doubt Ladybird is misguided and naive. She dreams of going away to college on the east coast. It’s a dream that sustains her throughout the movie.

Often though, to challenge her on these kinds of ideas is her mother, Marion. Ladybird has a gentle supporting father but a sometimes witchy, sometimes lovable mother. Some of us can relate to the whole good parent, bad parent thing. I think many seeing this relationship would think this is a typical mother-daughter relationship and I even found myself drawing parallels to my own life. However, I think the relationship that exists between these two in the movie borders on abuse.

Often her mother puts her down by insulting her intelligence and telling her she’s not fit to do this or that. I think the relationship is a lot more about control than anything else. That is why you see Ladybird manipulating people to get close to them. This must be learned behavior. Later Ladybird gets exposed as a fraud and it all comes crumbling down.

This world that we are seeing is way too real. Everything feels reminiscent of a time when all we had to do was worry about school. Everything about this movie feels shockingly familiar. Everything. Some even served as painful reminders of how cruel I could be. Like in one scene where Ladybird is ditching her best friend to fit in with the cool kids.

The only thing that made it all the more different was the catholic school setting. Which I still found somewhat familiar as I grew up going to catholic church. Everything else was right on the money in terms of what life was like back then.

One particular scene that floored me was when Ladybird had hid the fact that she had applied to schools on the east coast and her mom inadvertently finds out. Ladybird is on the verge of groveling and begging her mom for forgiveness saying “I shouldn’t have wanted more for myself.” It was particularly hard to watch and sets up the dynamic between them well.

In the end Ladybird goes off to college in the east coast and makes a mess of things. Finds herself looking for something familiar in a catholic church. Something that reminds her of home. She resorts to calling her mom and leaving her a voicemail and the movie ends with “I love you.”

I feel like love was a big theme in the movie. The love or lack thereof between Ladybird and Marion. Ladybird looking for love in different boyfriends. The love of friendship that she rekindled with her old best friend.

This movie was a sobering look at how we deal with relationships and the pain and torment that can come along with that. It was all too familiar in its setting but the setting wasn’t its focus. The focus was a person. The titular, Ladybird.

I recommend this movie for film lovers and especially people from ages 22-30. I think they will really enjoy this nostalgic blast from the past. I give it an 8/10.

Upcoming Artist Shares Emotional Experience With Fans

Deko is an artist out of the new wave that is seeing a meteoric rise thanks in part to his really successful song Phantasy Star Online. While Deko has been grinding for a minute, (working as a producer with credits to his name) his hit has put him on a lot of people’s radars including my own.

What caught my attention about this guy is his use of aesthetic appeal while still churning out infectious danceable beats and catchy melodies and bars. No wonder as Deko is a big fan of the very popular sub-genre of music: Nightcore (amongst other genres of dance music.)

His music videos are colorful, and filled with references to geek culture including many references to anime and Japanese culture.

It’s safe to say that he is at the forefront of a new sound that’s emerging in the underground. One filled with danceable beats, melodic flows, and many references to popular nerd culture.

That’s why last night was especially memorable. Deko was streaming on Twitch to about 100 viewers at the time. The stream felt especially intimate. The vibes were chill and everyone was having a good time. Deko took us through some of the projects he’s been working on. Which I won’t go into detail about to protect his privacy. He previewed one song in particular that absolutely stunned me.

Deko samples popular Japanese pop group Perfume for a banger that’s sure to be a hit.

Perfume (pictured above)
A-chan (far left), Kashiyuka (center), Nocchi (far right)

This blend of genres is something new and unfamiliar and somehow Deko manages to make it all work.

He later took us through some of his favorite music, featuring acts such as Perfume, Mondo Grosso, Porter Robinson, and an artist I’ve never heard before: VIRTUAL SELF. Fans in the stream got particularly emotional when Deko played some of the more sentimental songs amongst his favorites. Many fans recognized the music because they had already heard it and for those who hadn’t, they felt like they had stumbled onto something new.

Truly it was a magical moment for many, leading to many inspiring talks and rants. That is why Deko gets my seal of approval. The artist that knows how to genuinely connect with their fans can’t ever lose. This is the essence of a die hard fan base.

I for one can’t wait to see what’s next for him.

Artistic Apathy ©

Swedish Soundcloud Scene

Above is artist Yung Lean or Jonatan Leandoer, member of the rap collective Sad Boys. Although their sound is mostly derived from Hip-Hop, the music of Yung Lean, Yung Sherman and Yung Gud is often very eclectic. Pulling from many different sources, giving off a sort of Björk-like vibe.

Yung Lean truly is an all-encompassing artist and with the help of two very talented producers he often brings forth a refreshing sound that’s hard to imitate.

Sad Boys and frequent collaborators Drain Gang are at the forefront of the Hip-Hop scene in Sweden, hailing mostly from Stockholm. With these groups, the overall aesthetic of the music they create is at the forefront of everything they do. Some, even going on to become models, and to design their own clothes. It’s all apart of the image.

The overall sound pulls from many different sources, but has mostly characteristics from Hip-Hop, Electronic and Pop. Although Yung Lean claims his style “has no father like an orphan,” his influences and style can go back as far as Chief Keef and rapper SpaceGhostPurrp. There was even this interaction between SGP and Lean:

True, the sound of these two groups, Sad Boys and Yung Lean is often very hazy, cloudy and druggy. That is why many believe Lean to be the father of Cloud Rap which was a scene he was very active in from the beginning. Although not known for sure who birthed this genre (as the lineage can be traced back very far) it’s no doubt that Sad Boys and Drain Gang have done a lot for Hip-Hop in general.

If you look on popular YouTube channel デーモン Astari, many of the artists featured have a similar look and feel that seems heavily influenced by the aforementioned groups.

Lean and cohorts only get more experimental as they go but I believe their sound is becoming the future and they are spearheading something very monumental here.

The Deal With Posthumous Releases

In a day and age where late rappers are becoming a norm, we are seeing more and more of the release of posthumous work (i.e. work released after death.) A few prolific rappers stand out in this conversation, including Lil Peep, XXXTENTACION and Mac Miller.

All at the height of their success when they passed. It’s truly unfortunate we couldn’t see the further development of these artists especially when they were so ambiguous in their work and so promising.

Often when these artists die there is still a plethora of music left behind, yet to be released. In the case of Lil Peep, the rising emo rap star, there was an immense amount of work unreleased. The label partnered with frequent collaborators of Lil Peep to bring about projects that the fans could accept. Following the release of the polished Come Over When You’re Sober collection, label heads, with input from Peep’s mom decided to release the more raw and authentic Everybody’s Everything. Which doubled as a soundtrack to the documentary on his life.

A lot of controversy was stirred when the label continued to release music under Peep’s name but rest assured his mother Liza was behind it every step of the way. Saying:

“What do you do when a young artist dies long before his time, leaving behind a legacy of finished and unfinished work, and a legion of heartbroken fans?”
– Liza Womack

It seems like the honorable thing to do to honor the late artist and put out a body of work that most closely emulates what the artist in mention would have wanted.

Like stated before, this isn’t without its controversy as the bodies that distribute this late work are often met with backlash. Like when the BMW that XXXTENTACION died in was on display at an album event.

This begs the question of if an artists’ legacy is best left alone. Of course the family and friends of the artist have an idea of what the artists would have wanted in a project, single releases, etc. but the artist isn’t there to provide input.

Prior to his death, Mac Miller was busy at work on a follow up to his album Swimming. The album featured production from one producer named Jon Briar who later went on to finish the album keeping in mind the vision Miller had for it.

Again, it is nice to still get new material from an artist after their death but it often spurs a slew of questions about how exactly these releases are being handled. It seems that the ones in charge of these releases put immense thought into the given project before releasing but without the touch of the artists in question something is somewhat lacking.

That being said, you can’t please everyone. Especially on the internet. Someone will always have an opinion. Admittedly it is nice to see songs that didn’t have a proper release get one finally and for unfinished projects to see the light of day but the motives of the people at hand are often in question.

Sorry to say, these artists are gone and all we have left of them is the music. If we can continue their legacy going even for a short time, then maybe the details don’t matter so much.